How to Practice Drums without Drums (14 ways to do it)

I often have people contact me who want to try drums out just to see if they like it before jumping in and buying a set. This usually entails the person coming in for several classes before making a final decision. A topic that often comes up with these students is “How can I practice the drums without drums?”. I always welcome this discussion because it shows me that regardless of the lack of drums, the student is still serious about learning the concepts and improving. 

Other just don’t have regular access to a drum set, or can’t afford one. 

A lot of drumming is just muscle memory and therefore you can actually do this without a kit. You just need to teach your limbs to move in a certain way, regardless of where they are placed. Another important aspect to drumming can again be worked on away from a drum set, and this is timing. You can practice timing without drums as well, and if you continue to read this article I will give you several ways to do this. 

Here are my recommendations for students who don’t have a drumset but who still want to improve their skills. 

 

HANDS

 

1. Practice Pad

Practicing on a practice pad is the easiest way to practice away from the drums and to keep your hands in shape. You can work on things such as hand-technique, hand-conditioning, and rudiments while approximating the feel of a snare drum. Oftentimes when I work on a new technique with a student we start on the practice pad as to remove any distractions and to clearly hear the stick strike without added noise. 

 

2. Multiple Stroke Exercises

You can easily work on hand-conditioning by practicing things like multiple-bounce exercises. The concept of hand-conditioning was covered in my article “12 Minutes to Stronger Hands”, and includes a 9-part video series. 

 

3. Master Studies

Also, check out Joe Morello’s pivotal hand-technique book Master Studies, which in my opinion is the authority on hand-conditioning exercises. 

 

4. Rudiments    

You can also work on rudiments and expand your rudimental vocabulary by working on a pad. Work on articulation, precision, and fluidity. Don’t worry about speed, this will come on its own. Work on new ideas and review old ideas. Without a metronome FIRST, to develop fluidity in your playing, and then SECONDLY add the metronome. 

 

5. Pillow Practice

Another thing you can do to build your hand muscles is to practice on a pillow, as there is almost no rebound and you will be required to lift the stick on your hand, thus strengthening your hand. Practice your rudiments, or multiple-stroke exercises such as the Stone Killer. 

 

 

COORDINATION

 

6. Drum Beats

There are a ton of coordination exercises you can do away from the drum set. Firstly, I would recommend practicing the coordination for any beats you are working on. There is generally a learning curve for new patterns, much of what can be learned away from a drum set. 

Work on coordinations that are difficult and that you would need to spend time on before even getting to a drum set. This way you won’t have to waste any time when you do have access to a kit. Rather, you can work on things like sound, articulation, rebound control etc…. 

 

7. 4-Way Coordination

The book 4-Way Coordination by Marvin Dahlgren and Elliot Fine is another great resource that you can practice away from the drum set. 

 

8. The New Breed

Another great book that you can use that deals with limb coordination and independence is The New Breed by Gary Chester 

 

9. Air Drumming

Another way to practice coordination is just to airdrum along to music! This is fun and easy, and who knows, maybe it will help you to become the next Neil Peart! 

 

 

10. Rock Band

A favourite of mine, it’s to play Rock Band! I have witnessed people who can play at the expert level on Rock Band play drums for the first time and you should see it. They are already playing the drums at a the intermediate level, having learned the basic coordinations and the fundamentals for having good rhythm while playing a video game. 

 

11. Foot Development

Working on 4-limb coordination will also help you to develop your feet as well. Practice heel down to develop your shin muscles. They might burn a bit at first, as they won’t be used to this type of workout, but push through it and you will really build your shin muscles. 

 

 

RHYTHMIC & MELODIC DEVELOPMENT

 

12. Clapping & Singing

The final concept is the least literal and has more to do with how you hear and feel music. Although the exercises can & will build coordination, they are meant to increase your rhythmic sense as well as you timing. 

One exercise that has helped me a lot with improving my rhythmic vocabulary away from the drums is to clap a repeating rhythms while singing a melody. For example, try clapping quarter notes and singing your favorite song. Can you do it without mixing up the clapping rhythm? It’s tougher than you think! Once you get the basic rhythm down then try clapping more complex repeated rhythms and singing along. 

 

13. Slow Quarter Notes

Clapping slow quarter notes can greatly increase your sense of time. Set the metronome at 30 beats per minute and try to clap perfectly in time. 

 

14. Soundoffs

If you have the space to setup a drumset at your domicile, but volume is still an issue, then check out the Evans Soundoff Pads which can drastically cut down the volume of the kit. 

 

CONCLUSION

Using the suggestions given above, you can still learn a lot and improve your drumming without even being seated at a kit! Now you know how to practice without drums. So get to work!

 

Note: Very soon you will have the opportunity to download a file: Learn to play drums without a drum set PDF  
So make sure to check back soon!

 

 

 

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DISCLAIMER: 

As I often mention, there is no substitute for a good teacher. If you have questions, or perhaps need clarification then I strongly encourage you to find a teacher and work through these ideas with them. You will develop much more quickly and will eradicate any bad habits that could develop if practicing without guidance. You can always contact me about lessons at my studio in Montreal, or on Skype. But this isn’t about me, it’s about the art of drumming, so find the best teacher you can and stick with it. 

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Brandon Goodwin Bio

Brandon has worked with renowned jazz musicians such as Braxton Cook, Grammy-award winning artists Delfeayo Marsalis, and Kebbi Williams, as well as some of Canada’s top talent, including Fraser Hollins, Al McLean, and Samuel Blais. 

Brandon has studied with some of Canada’s top drummers, including, Nasyr Abdul Al-Kabyr (Dizzy Gillespie), Dave Laing, and Dave Robbins, and has also studied privately with internationally acclaimed drummers Ari Hoenig and Dan Weiss. 

He has taught masterclasses at high schools and universities in Canada and the U.S. and is the owner/principal operator of Studio Drum MTL. Based out of Verdun QC, Brandon services Greater Montreal, Lasalle, Lachine, NDG, Westmount, and Cote St Luc with his high quality drum lessons. 

www.studiodrummontreal.com

Brandon’s group B’s Bees has performed concerts in North America and in Asia, at major jazz festivals and in some of the best jazz clubs in the world. The group has also performed masterclasses at high schools and in universities in Canada, the U.S. and in Asia. 

www.bs-bees.com

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